“Half of a Yellow Sun” by Chimamanda Ngozi Adichie

Year of publication: 2006
Genre: historical novel
Setting and time: Nigeria, 1960s
Themes: war, love, colonialism, tribalism vs. modernity, ethnic tensions, national identity

Orange Prize for Fiction, 2007

About the author: Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from Abba, in Anambra State, but grew up in the university town of Nsukka ,where she attended primary and secondary schools. She went to university in the USA and now lives between Connecticut and Nigeria. Purple Hibiscus (2003), her first novel, was short-listed for the Orange-Prize for Fiction and won the CommonwealthWriters’ Best First Book Award. Half of a Yellow Sun is her second novel to date.

Plot: In 1960s Nigeria, a country blighted by civil war, three lives intersect. Ugwu, a boy from a poor village, works as a houseboy for a university lecturer. Olanna, a young beautiful woman, has abandoned her life of privilege to live with her charismatic lover, the professor. The third is Richard, an Englishman in thrall to Olanna’s enigmatic twin sister Kainene. When in 1967 the shocking horror of the Nigerian–Biafra war engulfs them, their lives change forever.

Some thoughts: I loved this novel, it’s going straight to my all-time favourites! I liked everything about it: the characters are developed very well, the story is compelling and the style is superb. It is uniquely African without being ‘burdened’ with traditions and customs that can be difficult to understand for the average western reader. At the same time, it perfectly explains the situation behind the Nigeria-Biafra war without being pedantic. I particularly liked the fact that all characters have their flaws: Olanna is sometimes haughty, Odenigbo too idealistic and Ugwu a bit simple-minded. I loved how they evolved and changed as the story went on. There is no omniscient narrator, which means that you need to make sense of different perspectives by your own. Adichie’s characters are mostly wealthy educated Nigerians who discuss international politics and development economies, as well as poetry and art. There are nonetheless two characters in the novel that are utterly different from everything that Adichie might have experienced in her life: Ugwu and Richard. It must have been a challenge to write about a white Englishman in Nigeria and a poor houseboy, but Adichie achieves her goal. All of them felt so alive that I was thinking of them as if they were real people! The narrative is so compelling that when the characters are engulfed in the civil war you only wish that the war would finish, so that Olanna’s and Odenigbo’s suffering can end.

What makes this book precious is nonetheless the Igbo culture that permeates the story: it was really interesting to read about the reasons that triggers the ethnic conflicts in Western Africa, but also to read about everyday life in Nigeria (habits, fashion, food, education). I look forward to reading Purple Hibiscus!