Man Booker Prize 2009 - Longlist

So here we are again with the best of 2009 according to the Booker Prize judges.

A.S. Byatt – The Children’s Book (UK)
J.M. Coetzee – Summertime (South Africa / Australia)
Adam Foulds – The Quickening Maze (UK)
Sarah Hall – How to Paint a Dead Man (UK)
Samantha Harvey – The Wilderness (UK)
James Lever – Me Cheeta (UK)
Hilary Mantel – Wolf Hall (UK)
Simon Mawer – The Glass Room (UK)
Ed O’Loughlin – Not Untrue & Not Unkind (Ireland)
James Scudamore – Heliopolis (UK)
Colm Toibin – Brooklyn (Ireland)
William Trevor – Love and Summer (Ireland)
Sarah Waters – The Little Strangers (UK)

Here for plots and more information

Thoughts:

Every year someone's left out (last year it happened to Kureishi for example and this year to Margaret Atwood, John Banville, Thomas Keneally and Penelope Lively). Every year they throw in a wild card that is unlikely to win (Child 44 last year and Me Cheeta this year).

The real surprise this year is that they didn't spread their choices all over the Commonwealth, but stayed in the British Isles (apart from Coetzee, whose book is yet to be published, by the way). Come on, no Asian writers? Last year there were three, plus Michelle de Kretser who was born in Sri Lanka but moved to Australia when she was 14. I guess it's now obvious that there are two many restrictions to this prize: no American authors and no books of short stories (so Ishiguro and Adichie were not eligible, what a pity).

What I find hilarious is that I am into contemporary English Lit and I know only 3 writers (Byatt, Toibin and Coetzee) and I've only read something from the latter, who's 3/1 favourite to win the prize (and has already won twice I think)!

The Guardian has announced he's awarding the "Not the Booker Prize Prize" (read here), remarking that "the books are always about post-colonial guilt, Irish poverty or English middle-class Islingtonians having Terribly Important Thoughts about their boring love lives". Gosh, that's kinda true...

19. "Leggere Lolita a Teheran" by Azar Nafisi

Anno di prima pubblicazione: 2003
Genere: memorie, saggistica
Country: Iran

Sull’autrice: Azar Nafisi è nata nel 1955 in Iran. Dopo essere stata espulsa dall’Università di Teheran per essersi rifiutata di portare il velo, ha lasciato il suo paese per trasferirsi negli Stati Uniti, dove tra l’altro si era laureata. Ora vive a Washington D.C. con il marito e i figli ed insegna alla John Hopkins University. Ha scritto per il New York Times, il Washington Post, il Wall Street Journal e numerose alter testate giornalistiche. Ha appena pubblicato il suo secondo libro di memorie, Things I've Been Silent About.

La recensione di questo libro si trova nella rivista on-line Paper Street (qui il link) con cui ora collaboro.

Iran e Libri

Un paio di settimane fa, sull'inserto TuttoLibri de La Stampa, c'erano ben due pagine dedicate all'Iran e ai romanzi in uscita sul paese mediorientale. Tra i titoli proposti:

Il Meccanico delle Rose di Hamid Ziarati
La Muta di Chahdortt Djavann

Il Paese delle Stelle Nascoste di Sara Yalda

Quest'ultimo si trova in praticamente tutte le librerie ed ha una copertina a dir poco suggestiva (e cliccateci su quei link!), ma tra la Babele di libri di narrativa sui paesi mediorientali ho scelto di comprare La collezionista di Storie di Randa Jarrar, che sto leggendo ora.

Tra gli altri libri sull'Iran di recente uscita, il fumetto Persepolis di Marjane Satrapi, da cui l'omonimo film.

18. "Small Island" by Andrea Levy

Year of first publication: 2004
Genre: novel

Country: United Kingdom / Jamaica

About the author: Andrea Levy was born in London to Jamaican parents. Her novels explore the problems faced by black British-born children of Jamaican emigrants. Her first novel, the semi-autobiographical Every Light in the House Burnin' (1994), is the story of a Jamaican family living in London in the 1960s. The book opens, not with the expected transatlantic journey from the West Indies, but with a family trip from London to Pontin's Holiday Camp. Her second work, Never Far from Nowhere (1996), is set during the 1970s and tells the story of two very different sisters, Olive and Vivien, living on a London council estate. In this novel she elaborates on the estate-based Black English culture. These issues of local identity and ethnicity emerge as a tension when Olive identifies herself as authentically 'black' and longs to 'return' to Jamaica, while Vivien, who has a lighter complexion than Olive, 'passes' as white. In Fruit of the Lemon (1999), Faith Jackson, a young black Londoner, visits Jamaica after suffering a nervous breakdown and discovers a previously unknown personal history. Levy's most recent novel is Small Island (2004), which won the Orange Prize for Fiction and the Orange of Oranges, that is to say the best novel among those awarded the Orange Prize in the preceding decade.

Plot: Set in 1948, the novel explores the interaction between a black couple, Gilbert, a former RAF recruit, who has returned to Britain on the SS Windrush, and his Jamaican wife Hortense, and a white couple: Queenie, their landlady, and her recently demobbed husband, Bernard.

Some thoughts: Last summer I read Every Light in the House Burnin', Levy’s first novel, but I was a bit disappointed. Despite the interesting setting, London in the 1960s from the point of view of a young girl of Jamaican origins, there was something missing. The remarks on the racial relations between the Jacobs and a predominantly white society were not explored enough and sometimes I found the story a bit dull. However, I decided to read Small Island, Levy’s most recent novel to date, because it is supposed to be her best (it won the Orange Prize for Fiction, the Whitbread Prize and the Orange of Oranges) and I must say that this time I was not disappointed.
The novel is told in four voices: Gilbert’s and his wife Hortense’s, who travel from Jamaica to England just after the Second World War, and then from the point of view of an English couple, Queenie and Bernard. Andrea Levy said: "None of my books is just about race, they're about people and history". As a matter of fact, there is a lot of history in the book: for example the involvement of Jamaican people in the Second World War and in the Royal Air Force and their relations with American soldiers, their racism and their reactios to black British soldiers (America still had the so-called Jim Crow laws). There is also much about people in the novel: Levy writes about the displacement of English soldiers in remote areas of Asia and the experiences and impressions of the first Jamaican immigrants just after the war, together with the climate of austerity and poorness that England was experiencing at the time.
There is some irony and funny moments in Small Island, a thing that reminds me of Zadie Smith’s White Teeth (2000), one of my favourite novels. There is a profile of Andrea Levy in the book section of The Guardian (here) and one of the questions that arises is why Andrea Levy didn’t have the same success as Zadie Smith with her novels about black people in London, at least until Small Island came. I think that the answer is the humour: Andrea Levy can use some humour (Hortense’s nickname, “Miss mucky foot”, or Gilbert’s failed “bee business” are some fine examples), a thing that is always appreciated.

One thing that shocked me in the novel are the differences between the Jamaican couple and the Londoners. There is no doubt that Jamaica was settled at the time: Hortense truly believes that she is British and wants to be considered as such. She is and educated young lady and her skin is light, something that she thought English people would immediately notice. She is shocked by the fact that English people can be poor, ugly and dark-skinned as well. She expected to live in a fine house with a back garden, instead she finds a city almost completely destroyed by bombs, a country impoverished by the war, where she must adapt to live in a cold, badly-furnished room with just a small sink and a toilet at the bottom of the stairs.

More on Small Island here